This is what my mom always says when she buys seats for shows; she likes to sit right down in the orchestra section just a few rows back. I agree! If I'm gonna pay to see these performers, I wanna be close enough to see their sweat. So that's what we did.
Before we left, when friends heard about our trip, they would ask, "Are you gonna see any Broadway shows?" to which I'd reply, "FOUR!!" They were usually surprised by that, but you see, that was our entire purpose for going. I mean what else would we even do?
Since returning, the most frequent question has shifted to "Which was your favorite?" Shulamith says she can't decide because they were all so different. This was her first time in NYC, and she says she is now ruined for any other theatre. Nothing will ever compare. I think she'll change her mind about this at some point, but I get it; nothing compares to Broadway. So which was my personal favorite?
Best Broadway Musical of Terrianne and Shulamith's trip, the nominees are
Wicked
Hadestown
Phantom of the Opera
Dear Evan Hansen
First, I must say that all four were fabulous. But really. They were incredible, and when Shulamith says she can't choose, I totally understand. I had seen both Phantom and Wicked previously, but these two productions were the best ever. The lovely young lady who played Christine in Phantom held the audience in the palm of her hand with the strength of her voice and honesty of her emotions. Elphaba in Wicked held me in the palm of her hand; I have no idea about rest of the audience because I was too focused on her amazing timing and natural physical comedy to notice. Ahhhh, she was so good!
After opera (Phantom), show tunes (Wicked), and jazz (Hadestown), the pop music of Dear Evan Hansen was a fun change. And the kids were so talented. My favorite scene was near the beginning when Evan and Jared draft the fake emails to prove that he and Conner were BFFs (with deceased Conner in the background singing his emails back to Evan). Yes, the subject matter is tragic, and yes, we feel that poignantly in the scenes with Conner's parents, but this particular scene with those three boys is genius-ly hilarious.
And the Tony goes to......
Hadestown!
Without question, my overall favorite was the story of the young lovers Orpheus and Eurydice, narrated by Mr. Hermes, who seems to delight in telling the tale over and over, as many times as it takes to get it right. Could that be the plight of humanity? Always trying to trust, always hoping to stay strong, but always failing as "doubt comes in." Hmmm. Shulamith thought the ending was sad, but I'm not so sure. The idea of do-overs, grace, is a central gospel principle and also key to understanding the way the myth is presented in this show. I actually loved the ending. I also loved how I identified with pretty much everyone, even Hades, trying so desperately to keep the status quo, to keep his wife Persephone for the six months he has her, and ultimately, to keep his "little songbird," possibly the only light to enter Hadestown in a very long time. I'm not a super fan of change either, Mr. Hades.
Ironically, Hadestown was definitely an afterthought for us. We had chosen and bought tickets to the three other shows, before I asked Emily if she had any inside scoop on current Broadway productions. She said she'd heard several different people rave about a relatively new show called Hadestown. "Let's just add it!" I told Shulamith, without much thought. Thank. You. Emily! Whenever it tours here, grab those tickets fast.
One more installment yet to come in the series "Terrianne and Shulamith fly to New York City to see four Broadway shows in three days." Stay tuned!