What do you do when you're disheartened and so sad from the continuous stream of cruel, bigoted Executive Orders coming from the President of the United States, supported by his equally cruel and ridiculously unqualified minions? You get on a plane and go to a place where you can disappear into fantasy. For ever so brief a time, you can live others' lives, make-believe, and forget the the very real and terrible circumstances that are reality.
You go to New York City and see six Broadway shows in four days.
So that is exactly what Shulamith and I did.
We've decided we are now expert New York travelers. (Well, Shulamith is an expert; I mostly just let her figure stuff out.) In our three visits, we've learned all the transportation and lodging hacks. Fly United, where seats are actually made for adult-sized people, and they still offer complimentary snacks, beverages, and headphones. Land at Newark International Airport (forget JFK), and take the Newark Express shuttle to your hotel. It's fast, reliable, and comes every 15 minutes. Stay at the Civilian Hotel in Times Square. It's new and cool looking, but most important, if you take a red-eye flight and arrive at 7:30 a.m., even though the official "check-in" time is 4:00 p.m., they will give you a room if they have one ready. We were able to sleep for four hours Thursday morning, making it possible to book a matinee that first day, in addition to the show we already had booked that night.
And speaking of shows, "Hold your hats and hallelujah, Mama's gonna show it to you." Gypsy was pure delight, start to finish. Granted, for me the appeal was largely nostalgic. When I was six, I played Baby June in a production of Gypsy at the Portland Civic Theater. Though that was decades go, I remember every line, every song, and every dance step. It felt surreal to see the show all these years later, and I'm thrilled I had the opportunity. Aside from nostalgia (which left me crying at nearly every song), the show was really so good. The amazing Audra McDonald starred as Mama Rose, and as one critic explained, "She played Rose with her whole being." I vote for Gypsy to win the Tony for "Best Musical Revival," and Audra to win "Best Leading Actress."
(Circa just a few years ago, when I was six and played Baby June...)
Gypsy was a Saturday matinee performance, and that evening we saw The Outsiders. The former has sad moments especially at the end, when the stage mother to end all stage mothers finds herself alone and running out of dreams. But most of the show is upbeat, funny, and heartwarming. Not so for Outsiders. If you read the book, you know that Hinton tells a raw and real story of the struggles of underprivileged kids in 1960s Tulsa. There's fear and violence, hurt and sadness, juxtaposed with sprinkles of hope and resilience, especially surrounding the lead character, Ponyboy Curtis, beautifully played by Brody Grant, whose voice was meant for this score. I cried at this one too.... "My friend, stay gold."

Sunday, before leaving to come home, we saw Little Shop of Horrors. This show is always hilarious, and we laughed and laughed. I only cried once when Seymore and Audrey sang "Suddenly Seymour." IYKYN. Such a silly plot, yet it always creates a fabulous show, and this was no exception. Whatever to you do, "Don't feed the plants!"
We didn't have a ton of Thursday matinee choices as we ate our Day 1 of 4 bagel breakfast before going to our hotel to sleep, so we were happy to find seats for The Great Gatsby. We sat right up front, and the sets, costumes, and dancing were glitz to the max. We loved it! "Only we know what we've both been through. If I save you, will you save me too?" Gatsby believed in The Green Light. Do we?
Thursday night we saw our first non-musical Broadway play, The Play That Goes Wrong. While we will always love musicals best, this play was funny, and the acting stellar. A group of college friends attempt to produce a murder mystery, and everything that can possibly go wrong, does! The poster for the play reads, "So wrong, it's right!" We agree.

Everyone always asks us which was our favorite show. It's hard to answer because they are all so different, but Shulamith and I both agreed in the end that our favorite was the brand new musical, Maybe Happy Ending. Ironically, it's the one we knew nothing about. We went in blind, relying solely on Isaiah's recommendation. He had hoped to join us on this trip, but he has a new position in his company and already took PTO earlier in the month, so he couldn't swing it, Still, he told us to see this show, and we did. Isaiah has never steered us wrong on anything, and we're so grateful we listened this time. I don't even know how to explain the brilliance of this production. Let's just say that YES (!) two Helper Bots can fall in love, and YES (!) their story can make you cry, and YES (!) if you're going to NYC in the near future, SEE THIS SHOW. It better win the Tony for Best Musical, and both Darrin Criss and Helen J. Shin should at least be nominated individually as well.

The escape to NYC was just what we needed. We have socials, so we weren't entirely free from the destruction being thrown down on our poor nation because in its lunacy, it elected a lunatic. But we spent around 12 hours immersed in fantasy, captured by those so talented that they took us by the hand and led us fully and unabashedly into their characters' lives. We lived these lives alongside them during those 12 hours. To all of you, brilliant artists that you are, we thank you. For your energy, your tireless work day after day, your God-given talent, and your willingness to share it with us, thank you.
And thank you for the brief escape.